barycenter

I dream of your thirst for flushed cheeks
and ragged breathing. I whisper these summons
into my own tangled hair, silver locks strung with keys,
as if in the words I struggle to keep
from their quicksilver tumble from my lips,
in the way I keep my mouth from seeking

a descent, where damned river sinks into this jaded sand,
a song I sing to the tune of October and November and on and on,
as if black apples eaten under cypress trees
and those long-memoried lists of love were no dream;
as if at my demand he will always reach for me, once more

oh beloved, at least once more.

I play at accompaniment, draw him close
to drive him--augment it with roses and char,
with thyme and burning sugar--each song a pale-moon reflection
of how I require one hand at my throat in challenge,
how inexorable in his love,
how he raises my face to his own, so coolly

calculating my every shuddering gasp, how I live
and die for every maddening kiss. These draw us but
the truth is, cold is a game we both can weave so clean
until mouths meet skin, always sweet, a sigh and a smile,
sometimes sharp teeth and ruin,

pretense and authority. He knows this fire, too,
disguises white-hot and trembling in a pale scrim
playing at snow-sheets and shade-trees, my sunrise.
Silk-glass spun, splinters left in my skin and so-sure hand
on me shaking all imperceptible
to any but the pulse I've swallowed, shuddering,

he knows every cataract, cascade, and riptide

running through my veins will be an undoing,
and still it comes singing, still I come singing,
still it comes in fog and rhyme and unmarked depths
to catch us, even aware, bright paper lanterns all alight,
a burning in renunciation of those ashes we already knew. 

kshanti

I want to taste the end of days on your skin, I want
to watch your eyes when my breath catches. Tell me
what you see, through the blush? Light descending,
time running out, the thread unwinding? This isn't
safe, it never can be. Stone sparks against water,

a mystery whose price runs high. Always on the edge 
of a conflagration. Still, I want to breathe it in, I 
want to drive those fires into my skin where I fall.
What is the feeling in my kintsugi heart that is not
quite emptiness, the desire to press my face 

against your back as you drift off, the tangible
knowledge of the aching distance we put between
our physical selves? It's no accident we're like this.
Śūnyatā whispers to me just out of reach, pale and

shaking in my hands, my renunciation of desires
forever shredded by this want, this strange and
telescopic love. As if no moment has passed, and
yet as if the end of the world has come and gone.

The resin I used to repair the cracks raises welts
on others' skin. The metal you burnished into my
wounds is all that remains. Mushin--the breaks
are our history. I will not forget, will not taste
the antidote in this life. I'd have you no other way.

消えないで

my heart is a jackal in the desert night, makes a sound
somewhere between a sob and a peal of laughter,
is fencing the stars, slender silver stabbing against
a backdrop strewn wild and white. I dream the clouds are
swelling over the cliffside, the salt air in my mouth,
I know this. this dream where your face is imprinted
with lines from my pillow. where I place my finger

and trace in blood returning. bread rising in the kitchen,
my pulse is a muffled drum, the same as the breath
dragged from the deepest part of my lungs;

clouds dark against the sunrise,
deep blue streaked with gold and orange and violet
dim in the memory of your hair, the new light reflecting.
and I smell tangerines, I smell jasmine, I smell clove
rising from my own skin. water wants to run, water wants
to fill up your slant-smiling mouth and overflow in words
I salt away.

Kannon

In the beginning, I woke up every day without my teeth clenched

on this scream that would shatter the sky. 

I still wonder if I can ever return

to that quiet land. Amida Butsu, pure land, where no earth is barren, no life or love wasted. Lost, 

sighing wind, pulled recklessly from my shallows. In shadow. I am not her. Only the tears are the same.

ῠ̔φαίνω, wæf, ऊर्णवाभि

there is a tangle
of threads that must be teased out
to weave my way home


--
huphaínō, wæf, ūrṇavābhi: weave, woven, weaver (Greek, Old English, Sanskrit)

On weaving and sewing as metaphors for ancient Greek verbal arts - Gregory Nagy

boke-aji

planted, I rot
germinated, then wasted away
here at the end are "wet," "torn," "soiled,"
no words to conjure true magic

I have no arm to raise
no sword to brandish
three times
and fade away

(once) I cannot
(twice) I cannot
(thrice like a charm) I cannot

lay me in the lakebed and bury me in mud and amber beads
close my eyes with pearls, peel back my fingernails
dress me with wheat-holed coins and discarded fish scales
press me into the clay and let me breathe green lake-water

I wish I was anything but this

remote update

A carpet of stars
caught on blue velvet, each grain
faintly glimmering:
impatient, I'm rushing past,
waiting for life to begin.
--

I miss the darkness;
the skies outside the city,
the scent of the wind.
--

Ananke

These are the flaws that make it mine:
a slanted stitch, a hole, a miscount, a wavering hem
that flows from side to side instead of marching steadily on.

The hands that make these things are as contrary, each
slow shift, each clicking needle a testament to shallow
waters. Each wrist flick, each knuckle crack, a metronome.

Contradiction in every cell. Wide palms and narrow fingers,
spread aslant to pull a thread, to snip or coax just a little farther on.
I cannot weave any longer, but I can cull. Press a finger into the

hollow of this wristbone, press your lips against the pulse that beats
there, grey wings thrashing against a black iron cage, grey wool winding
around ebony needles, grey pinstripes on silk like dark waters.

Slipped stitches, dropped skeins, slow and steady will make no
imperfect thing. Speed alone will kill, rushing headlong into the end.

Knot it tight and move on.

Labyrinth

Sometimes, you sit on the floor of the shower and breathe steam until you can cry. Sometimes you breathe steam so you can go back to breathing air. Sometimes, you chew your nails to rags and avoid looking at the razor hanging on the wall.

You can sleep for twenty hours a day. You can sleep for twenty minutes. You can feel the panic-rat scuttling around the corners of your mind, digging in with its surprisingly adorable claws until the chest pains begin.

You go for days, weeks, months at a time, in recovery, feeling strong and capable and positive about where you are headed in life; feeling the old power rising in you whenever you say no. Whenever you say yes. Whenever you say what you really want instead of temporizing, hedging because you are worried about what the inquiring person will think.

And it's okay, when you make it through these days, even if you wake up the next unable to breathe or think or see, even if you did it to yourself, trying to re-educate your brain on the subject of abuse. It's going to be okay. Some days, it is not okay. And that is fine, too.

But in every minute and every breath, there is the possibility of fear rising in you. Irrational and rough and blood-warm, or acid, or colder than you've ever felt before. At any given moment, you are vulnerable to surprise, to the wrong word, to a stray thought or idea. You fear being brittle, or too inflexible, too pliable. Too broken.

You are not broken. You are going to be okay. Even on the days you are overwhelmed by all this feeling? We get through. One breath at a time. One step. One word.

Every part of you is a victory. You have breathed steam and air, you have given tears and thought and time. You have eaten, you have hydrated and rested. You have not cut. You maybe cut only a little. You thought very seriously about hurting yourself and decided against it? You win. It is okay to make mistakes, and you will. Because progress is not a straight line, or a race, or a contest.

Every time you think, "It could have been me," you can also remember: You are still here. You are important. You are alive and you matter and you will, eventually, leave all this behind for whatever you want of normality.

Leaving things behind is not bad, or heartless, or cruel. It can be necessary to breathe steam instead of smoke, more oxygen than nitrogen. Leaving things behind can be a necessity. You can still remember with love, but you do not have to carry them with you.

I am not a role model, I am only stubborn. I sit on the floor of the shower and cry, and I have to remember to breathe, and I think, "it could have been me."

But it wasn't. And I do not think I will ever allow it to be.

pour encourager les autres

when the razor skips over thin skin
and blood wells up,
falling on the shower floor like rain,

you never notice.

like whiskey in a parched throat,
the pulse and burn
of ink pooled on your stomach,
black and spangled with light,

scarlet footprints on dark carpet,
a stubbed toe, cracked nail weeping

camouflaged tears.
the stain is still there, hidden,

until one day it disappears,
that secret piece of you,
and you never notice at all.

ohana

no nine-tailed fox, not now. only washi dissolving in ink and tears and rain. your lips are gone and the light that rang in your eyes like the nine thousand names of god has dashed against the rocks and shattered into nine times nine thousand indifferent fireflies.

that name was a silver bullet on a full-moon night, piercing cold, meant to wound until I folded out of your way like the paper crane, I whispered, I warned you, that simple fold that may be my true form. I cannot bar you from harm when I have no more stars to light my way. I used to know where I was going from here.

you are not who you were. I cannot be who I am. I will remember who I was, someday, and I will braid my hair into a coat. a chain. a noose, a sail. I will no longer look into the night sky, hoping for a way home. I have learned the futility of loss, the frailty to mourn, but I never regret. just give me time to stitch this up and regain my balance, to stop bleeding out on someone else's floor.

Sepsis

Where is the worry? Is it in the second-day stubble of my shaved legs? Or is it in the swell of my breath, pooled in my lungs like the tide and pushed out with a sob? The things I never noticed until your absence from my body? I do not know. Today is grey, the kind of grey I love. It is about to rain.

I have slept too long, wrapped in blankets and piled with cats, purring somnolent on my chest and hip. They reach out to each other in their sleep the way I imagine reaching out to you.

I will not dress today. I will write or I will smoke on the porch in a nightgown. I will drink cafe au lait with almond extract, and I will eat dreams.

The cats do not miss me. They have curled down in the warm puddle of blanket I have left and they are sleeping again.

I cannot focus on any one thing, your hair swept to the side and ending in a wave, my beloved ocean in shades of wheat and gold. Your eyes, blue and green, cobalt universes. Your lips and wry smile, the defense against any endearments I might muster in an array of hope, pleading.

I tell you I love you and I cannot see if it sinks in to the hilt. If it touches you at all. At all.

I light candles against the day. I wake at night and breathe the damp darkness I have been dreaming. I hear music, I want to sing, but the words are no longer there. Salt on my tongue washed away with too-sweet coffee and heavy smoke. I cannot see myself without you, and I try.

I live. I breathe. I exist. But your context is missing, your definition and style. I can touch and be touched and I will enjoy it, I will arch against another, and another, and however many others, and whisper in other languages the words they need to hear. The words I need to say. What meaning does it have, when I am not beside you?

Here is a game I have been playing: Who is the secret center of this dance? I reach out and manipulate because it pleases me to do so, in the moment. Because it fills my emptiness. Because I cannot touch you, because I cannot see my love sink into you, to the hilt. I wish I could be ashamed of my cruelty. I have nothing left, not even a conscience. You have all the best parts of me, still.

All that is left to me is sin.

awake

You are a shrine to dangerous things, he says, while I press
my nails into his neck. And I am. I breathe smoke into the
night sky and wait for the clouds to roll in.

Kali, dancing, pauses between steps, and I run, heart aching
through lightning strikes and coming down hard on every
roll of thunder. Singing bowls chime the dawn of my day.

Tear it apart, he pleads. Crack it open and pull out the shreds
and shards of every evening spent beneath your feet. Tease out 
the splinters and do not worry, do not mind the ragged breaths.

I will do as I please. I will dance, singing, while I belt on bones
and crown myself with lilies and ashes. Howl hymns to me, taste
chicory and burnt sugar on your tongue and bow down.

I am lovely in this light, a dangerous thing you have discovered,
a monster and a lake, a god and a sea in which you may drown.
Dive, drink deep. Be afraid.

For I am a shrine, sacred to those who creep into my arms, to the tears
and exhaustion of love. Hallowed by sound and sharp scent and the burn
of needled flesh. I am a temple and a wave.

I will draw you in and be damned.

gilt-edged

the key grinds in the lock, the tumblers turn

and I am mute with need, my shaking hands filled with 

cast-off shards of iron and agate, glass sticking into skin,

blood welling from the edges and you sink deep. somewhere,

I left my resistance out to dry.

I will pull my ribcage apart and let you eat, replace my red-running

muscle with silver wires, that wretched heart with a canary

stained with iodine, leave me packed stiff with gauze 

and settling in for the winter, racked with longing

and marveling at the chill.

it's supposed to be spring and still I run through gasping cold,

ash-brown trunks blushing green, maple buds burning 

against the sky like the embers of every lonely cigarette

that has flared between my lips at night. at dawn. at civil twilight.

you have coiled between my thighs to hold the ashtray and 

even wordless, my hollows and edges limned electric,

there is no difference between the summoning

and the invitation.

Huldra

It is after three. I can hear a drip from somewhere in the house, some faucet reminding me to sleep. I have turned on the music to hide it, but the beat shaking in my bones taps the same rhythm. My skull is a kettle heated to boiling and you are sleeping, responsibly, in your narrow bed so far from mine.

The storm has passed and the rain has slowed. I am waiting on a package. There is nothing at the door no matter how many times I check, not since I discovered the slip to be signed yesterday morning. I want the books inside, but I want the shoes more. Impossible shoes, lacing tight over the arch and nosebleed-heels stretching my calves to screaming. Fuck-me pumps. Fuck-you boots. Somewhere in between, the reality of life in a strange new place.

I have never been good at making friends, only finding lovers. I can only take pictures of my back, painted in Victorian wallpaper patterns. I bend at the waist and stretch imaginary muscles, pull my hair down to cover the emptiness and wear the sorts of dresses that only emphasize my utter lack of humanity. I am not beautiful, no matter what you say, no matter the wisps of thought that escape my mouth on a misty night, no matter the wideness and calm of my eyes. The vulnerable look on my face, they will tell you, is only a trap for the unwary. There can be no true feeling from someone like me.

No. The feelings I have had! They burned me hollow, they were coals scooped from different hearths and set in my skin to char. Piece by piece, how I craved the burn, the ash, the fall. Corded and caught. I have been touched by no one since. Dancing in the forest, dancing in the sea. I dance because of--or is it despite--my lack of an audience, and I will dance for you, if you are unlucky enough to be caught in my gaze. I have so many names, pet names, endearments breathed in my ear at climax, epithets, each a choked whisper bubbling from the throat of a dying man, in all the languages of the world. But I am not a threat, I am nothing, nothing, not even the wind in your face as you run.

Only a woodwife, stained dark and hollow and waiting to fill with someone else's need.

little brass key

I have a steel wire wrapped around my skull, silver flush with the bone in a spiral shape. There is a keyhole just below my occipital ridge, enameled in green, lined with brass and surrounded with copper filigree. I have grown my hair to hide this vulnerable place, the fontanel of my desires still fluttering and gasping for breath. I have hidden more than this from you.

You are a clockwork creature, and I have wound the brass key in your back for years upon years, springs coiling ever tighter inside your bones, and I hesitate to wind you when you creak and groan beside me, but I cannot stop. If your springs snap, perhaps I will finally be able to take the key and give it into your hands, give you the ability to touch the arbitrary nature of this desire. Perhaps I have always expected you to stick the key into your mouth and coat it in acid, and then use it on me.

Let me break the strands of coiled wire resting in your skin, and I will kneel in front of you, pulling my hair aside. I will bow my head and wait for you press the key into my own lock, to turn it while I bless you for the pain. When you twist the wire of my bones I will open like a flower and sing my pain into you, I will weep and plead and curl into you. I will drown you in the dark waters I have concealed for so many years, and we will rust in the cold and copper-tasting well-water together, whispering pain into each other's bones to replace the metal your acid has leached into my base and basic nature.

drive

I have sand in my teeth
salt on my skin
and I will not dive into fresh waters,

I will not drop these stones

waist-deep in other oceans.
I will still go on
seaweed-crowned

into every night.

Dryad

I learned to be cruel when I was young,
and my teachers were always older
wiser in the ways of hurt

and we do not hurt each other
before we have learned to hurt ourselves

the pain in your voice draws blood
up to the surface of my skin, welling from every
deep breath, every last thought

of a world without you.

I light candles, each tiny flame a lesser
hurt in a sea of anguish, a tide of hellish loss
engulfing me, dragging me down.

I am heavy with it, swallowing
my own pain like shards of glass
before it can cut you

and I am spent, exhausted
and alone--not alone--
it ticks and chimes like a countdown, brass gears

shifting in an expanse of wretched silence, scarab-back
shining, fleeing the sonar of its own clicks and clacks.
I will beg and I will bargain for you, and never
ever look back. I'm calling you out,

I'd pull you out of hell with the notes of my last dying breath.
Without the light in your eyes I am afraid
my leaves will fall, my little moon will wane.

a pact

Jotun, jotun, brush my hair, and I will be your Thursi.
Call me night and call me cold and I will warm for you.
Cry out in my arms and I will be your Yagayevna,
witch-daughter and eater of flesh,

praise me and I will sing. Unholy hymns rising in the
air like wisps of fog, surrounding you,
binding your arms, knotted tension and anticipation.
Peel back my skin with tempered wit.

I will take your hand and place it on my throat,
hold a hallowed knife against your spine, press these
words into your mouth by moon-dark and while you
choke on them, I still will sing,

pull you into the tide. I will drink
deep of your lust, your longing, and your adoring
gaze. See me as I am.
Braid my hair into fetters, chain yourself to my broken heart.

Frost-eater, fell and fair, wrap my braids around
your wrists and hold tightly. Call my name
in the night, gasping for breath under my wave,
until we drown together and rise again with the tide.

Brush my hair, long strokes from my crown to my waist
and I will sing for you until you can weep no more.

For in that sleep of death, what dreams may come when we have shuffled off this mortal coil must give us pause.

Sleep well, beloved.